Neo Classicism Enlightenment – Interpretation of classical themes in a contemporary style

Neoclassicism is a unique movement in the arts, literature, classical art and theater that emerged in the mid-18th century. In this era, ancient Greek and Roman cultures were attracted to Western classical arts and culture.

Artists of neoclassicism do not create their own marine reproductions – be it art, sculpture or poetry, but each time they create something new and innovative. This provides a high level. However, the classic artist is more likely to twist mediocre and harmless things in his over-enthusiasm. Moreover, simply creating something completely new, neoclassicism is a natural expression of culture with all its elements, and the sophistication with which the artist returns lost elements, which may have slipped into oblivion, is what makes the classic artist successful and popular.

Neoclassicism opened up countless possibilities in interior design inspired by rediscoverings in Pompeii and Herculaneum dating back to the 1740s. The intellectual and sensual application of these styles has led to the creation of some of the most charming Baroque interiors. The Roman-style premises of William Kent were actually based on the classical architecture of the basilica and the temple, which was treated in a different way.

Materials of pastel colors, sculptural in relief or monotonous paintings, hanging ribbons and vases were generously used in neoclassical creations. In the 1800s, the theme of etching and engraving on ancient Greek architectural examples solidified a trend called the Greek Renaissance.

Neoclassicism began in England and France and was quickly adopted by artists in Rome and Sweden. The second, brighter neoclassical wave appeared during the Napoleonic Empire, which was distinguished by spectacular engravings. In France, the first spell of neoclassicism is often called the “style of Louis XVI”, where the second phase is called the “director” or empire. Italy adhered to the Rococo style until the Napoleonic regimes were rooted in a new archaeological classicism that became a strong policy for young urban planners with republican affiliations in Italy.

At the end of the world wars a neoclassical movement in art was formed. This movement, which shied away from Romanticism, was marked by its religious (especially Christian) themes, the foundation of which was laid by TE Halm in English literature. Some of the most popular neoclassicists in English included TS Eliot and Wyndham Lewis among others.


Do buildings have souls?

Are there souls in the buildings? I teach at a school with almost a thousand students. We recently moved into a brand new building. I spoke with an architecture professor who served as a planning advisor for our new campus. He introduced me to the idea that there are souls in buildings. According to our consultant, the architectural concept of any building, be it a school, office or house, should really be a metaphor or an image of the dreams and values ​​of the people who will use this building. Articulation and definition of the soul of the building is a process in which it is necessary to include as many people as possible who will inhabit a ready design.

At our school, we decided to define our soul in a unique way. At first, we held a competition in which everyone associated with our school could present a drawing, story, sculpture, or film about what they thought was the “soul” of our school. One student made a 3D model of children playing soccer. Parents presented a series of pillars in which each is a “hero” from one of eight areas of knowledge. Galileo, for example, represented science. The teacher wrote a story about how a young woman with autism was accepted and loved in our school. The senior, who was about to graduate, wrote an article about why the name of our student sports team “The Warriors” embodies the spirit of “can do” and “never say die”. All materials became part of a brochure advertising the design architects competition. They were asked to create a concept for the “look” of our school based on the vision of the “soul” of our school community.

Applications for this competition were varied and exciting. One architect designed what resembled a multi-storey wooden house. Another created a kind of butterfly layout to show how our school wanted to transform children’s lives. Another came up with a plan that resembled an eagle’s nest, as our school was to be a place where children could study safely until they were ready to fly on their own. One design was in the shape of Noah’s ark, and the triumphant record resembled God’s outstretched arms. Because our school is a religious institution, the architect created wings for our school’s elementary and middle schools, each representing the hands of God with a huge courtyard in open palms where community members could meet. If you come to our school today, you will see exactly that design.

I asked our architect-consultant how we could know for sure that the building accurately reflected the “soul” of the community in which it was located. He told me that the “soul” of a building cannot be measured in any way. It was something that could only be noticed by the heart.


What to see on holiday in Northern Portugal

Northern Portugal is becoming increasingly popular as a holiday destination with families living on holiday. This region of Portugal has amazing attractions such as historical and cultural attractions.

In recent years, the demand for self-catering vacations has grown. This has led to a large selection of country apartments, villas, cottages and country houses, which can now be rented as holiday homes.

In order to fully enjoy Northern Portugal, it is recommended to choose sightseeing tours, extreme sports and water sports that tourists can enjoy in this wonderful region.

Tourists should try water sports such as kayaking, scuba diving and canoeing on the beaches of northern Portugal. Northern Portugal is the perfect place to try extreme sports such as skiing, snowboarding and windsurfing. Tourists can enjoy their trip to Northern Portugal to the fullest by choosing to try land sports such as cycling, trailing and walking.

Being in holiday homes in the north of Portugal, many holidaymakers love to try the wonderful nightlife. Many go to the wonderful clubs and restaurants that are so common in the area. Clubs offer many different types of music including rock, jazz and hip hop.

Northern Portugal has many bars offering world-class beer and wines. One of the most appealing features of checking out the bars here is that tourists can try exotic port wine. Vacationers can enjoy the fresh local food and wine served in the many family cafes and restaurants. This part of Portugal is especially proud of its local seafood dishes, and they are definitely worth a try if possible.

If you are vacationing in Northern Portugal, you should try to see some wonderful museums. Museu da Ceramica (Museum of Ceramics) is very popular with locals as well as tourists and is worth a visit. The region is also rich in history and local architecture with many cult monuments.

A good example of this is the city of Braga, which has many magnificent churches. Of particular interest are the sanctuary of Sameira and the sanctuary of Bom Jesus. It would also be wise to plan a trip to Chavez to see the 14th century castle. There is also a Roman bridge over the Tamega River and a mother church of Romanesque origin that you can see while you are there.

Northern Portugal is an ideal place to buy horn, wood and cork items. There are also many decorative kitchen items that you can also buy. Many holiday makers buy the local port and accept it as friends as gifts. You can also purchase one of the world’s best pottery and handmade azulejos (hand painted tiles).

This region of Portugal is full of charm and the locals are very friendly. This is a great place to relax as there are so many different things to do. Many families love to rent holiday villas and self-catering in this part of Portugal as holiday homes. Holidays in northern Portugal are becoming more popular every year.


Temples of South India

If you are spiritual or want to visit religious places, then the South Indian neighborhood welcomes you with outstretched arms. This is a region where you can enjoy a magical environment in the lush green circle of nature. Legendary and religious icons are sure to enchant you with their magnificent architecture and environment.

Architecture of the temples of South India:

The temples of South India are excellent examples of craftsmanship and creative ideas of artisans. Most of which reflect Dravidian and Wesleyan styles of architecture. These temples, thanks to their delicate as well as exquisite carvings, beautiful frescoes and frescoes express a wonderful sense of creativity and vision with the religious curves of the then rulers. Pallow and Hall are known for promoting the unusual architecture of the Dravidians. In addition to Pandia, the rulers of Vijaynagar, Halukias, Sherry, and Rashtrakuta also contributed to the formation of a number of temples in South India.

Some of the most famous temples of South India:

Kanchipuram Temples: Kanchipuram or Kanchi is known as the “city of the temple”. This religious capital of South India is located along the Polar River. The city has more than a thousand temples, most of which are dedicated to Lord Shiva and Lord Vishnu. Some of the most famous temples of Kaanchipur are Kamakshi Oman, Kailashantar, Ekombareshwar, Kumara Kottam and Devarayasswami Temple.

Madurai Temples: Madurai is considered one of the oldest cities in India and is also the second largest city in Tamil Nadu. This ancient city is 2600 years old and then it was the capital of Pandia. Madurai is a progressive city with many temples and cultural heritage on its knees. It is known throughout India as the Meenakshi Temple, which is one of the best Shiva temples in Tamil Nadu. Some other famous temples in Madurai are Koodal Alagar, Perumal, ISKCON and Tirupparankundram Murugan temple.

Rameshwaram Temple: Rameshwaram Temple is also known as the Ramananatswami Temple, built in the 17th century. It is spread over an area of ​​15 hectares, the surroundings of which are quite strange, as it is located near the sea and the eastern part of the beautiful island. Ramshvara is also called “Kashi (Varanasi) South”. The temple of Ramshwaram is counted among the 12 yotirlings, and it is also one of the saints of the Char-Dam.

Mahabalipuram: Mahabalipuram is a small town in Tamil Nadu. During the 7th century it was the Pavalau Empire. During the 7th – 9th centuries, this city enriched a number of historical monuments and temples. It is declared a UNESCO World Heritage Site. The temples of Mahabalipuram reflect the events described in the Holy Mahabharata. The necessary temples in Mahabalipuram are the Triukadalmalai, the Repentance of Arjuna, the Temple of the Cave of Varaha and the Temple of the Coast.

Tirupati Temple of Tirumala Balaji: This temple is also known as the “Temple of Tirumala Venkateshvara” which is dedicated to Lord Vishnu in the form of Lord Venkateshvara. This most visited temple of India is located on the high hills of the city of Tirumala (near Tirupati) of Andhra Pradesh. The temple is located on Venkatadra, which is one of the seven hills of Tirumala, hence it is also known as the Temple of the Seven Hills (Saptragiri). This temple is the richest and most visited temple in Andhra Pradesh.


The value of fashion

A new month is coming and last month’s wardrobe is becoming useless and outdated, no problem, you can experience new market trends that go perfectly with your taste. Aside from the typical stripes we’re used to, you can try something different, add matching skinny scarves, and your outfit will be fabulous. In cold weather, the designer has developed a collection of clothes that match nature. In addition to helping you express yourself and reveal your unique insides, fashion also makes you comfortable, life-changing, showcases some creativity.

Also, it is through fashion that we inform people, the way we dress tells more about us, the reaction to style depends on the message associated with your choice of clothing. Information can be acceptable or outcast to the outside world, especially about those with personal identities, celebrities, politicians, preachers, and younger generations. Fashion is also an expression of social, cultural and religious values. Fashion is an art, like architecture, which gives its development the form and design he / she wants, just like fashion. This means that clothing is a non-verbal form of communication. Fashion also affects a person’s perception, for example, when someone wears a suit, it is more organized and comfortable, and in turn the suit changes that person’s gestures and the way he speaks. Or when someone wears jeans and T-shirts, it is perceived that such a person is weak and liberal.

Fashion – a demonstration of creativity; we assume someone’s creativity depending on the type of clothing he wears more often. But you need to wonder how fashion enhances someone’s creativity, but, for example, when we wear clothes, do we consider several factors, one of which is that the dress matches the events we attend? Or we would also like to dress up to look like a certain celebrity or a loved one we know. So we can say that if we can be creative in our clothes, we can also be creative in all areas of life, including school and music. The fact is that people are very excited when they do something new in their work, and they become successful when they wear a fabric that no one has worn before and people appreciate that you start to have confidence in your work.

Another fascinating thing in this fashion is that it is important in religions and cultures, for example, Muslim ladies have a unique way where they cover their faces. This is perceived as fashion because the dress is worn as intended. Therefore, it can be said that when people wear clothes out of their beliefs, it can strengthen their faith as fashion reminds them of their religion. And also shows children that it is vital to be unique from others.


Character of Indian crafts

The panoramic view of Indian crafts is a patchwork quilt of many shades and shades of meaning that reflects the interaction with social, economic, cultural and religious forces. The world of artisans is full of contrasts, all kinds of useful products and sacred items, items for ritual use and ephemeral festival crafts, which represent many levels of improvement – from the simplest to the most technically advanced. In addition, there are many perceptions of the term “artisan” ranging from manual worker to high artistic skill. The craft is then in a complex environment, a dense matrix of many threads and elements.

Stories unfold in the material with skillful mastery of tools and the use of intelligence and the work – a mirror of the society that produces it. No wonder we see traces and signs of culture frozen in stone or clay and metal and wood, and all this resonates with the roots of a particular cultural system that produces or uses the object of crafts. The belief systems that define this form could have originated from a religious source or from some body of ancient folk wisdom.

As someone rightly said, crafts are a true reflection of creativity, closeness to nature, business trip thought patterns, clarity of the right mix to turn a piece of wood or a piece of brass or something else to make a masterpiece.

Thus, the huge terracotta horses of Ayanar stand as vigilant village guards in Tamil Nadu. The temple, mosque, church and tribal gods have contributed to the formation of cult artifacts and vows that are part of the rites of passage in many communities of India. Birth and death, marriage and youth are all joys or sorrows for society, and they create a context for the release of creative energy and the demand for the highest degree of mastery that a craftsman can bring.

There are many expressions: some refined with decorative motifs and surface ornamentation, in others – a primordial sense of peace with a material and sublime proportion that evokes soft feelings, even if the object is made of metal, as in the massive cast glass of a ship from Kerala. The simplicity of Jain surface wood, utensils, and intricate and decorated meenokari, enameled metal products from the Islamic north stand out in stark contrast, each reflecting the ethos of the community and the purpose it serves. In the hills of Nagaland, baskets, hats and other accessories of the carrier tell about his worldview and identity.

India has been at the crossroads of civilization for over 5,000 years. Various waves of interactions from the Northwest and subtle trade interactions from the South and East have brought new ideas and practices, skills and applications. Internal migration and trade operations have borrowed skills from one place and planted them in new and foreign conditions. For example, the textile texture of bandhani in Gujarat finds new expression in the sungads of distant Madurai. The arrival of the Mughals brought exquisite Iranian art in weaving from metal, silk and carpets. The arrival of the British and Portuguese in South India introduced the carved wooden traditions of the West. In addition, the hot humid climate has caused a clever design of the shaded verandas of Pondicherry, coastal Kerala and Tamil Nadu.

Indian crafts are a treasure trove of classical motifs and patterns that have evolved over the centuries, many of which have been passed down from commercial cultures during epochs of interaction. Once upon a time, motifs and patterns absorbed by culture spread in different environments: from stone to wood, from metal to fabric; from weaving to printing and from painting to inlay; each technique brings to the sample its own unique signature, amalgam material and restriction tools. In floral motifs and vines, belts can be found with as many expressions as materials and contexts, like kerry or aam, stylized mango.

The human form has also been depicted in large numbers. The rough and finished broken forms of the Naga warrior contrast sharply with the elegant bronze statuettes of Chola, while the wrought iron tribesman from Chhattisgarh differs from the expressive professional toys from Kandapalli in Andhra Pradesh.

Several crafts are a form of clean service, and the artisan plays the role of behaving critical functions in shape and shape repair. Urine or shoemaker and potter, tile maker and carpenter fall into the category of those who work to serve society with their skills and knowledge. In an era of mass consumption, it may be a good idea to return some of the value of this service to ensure that our products are recycled and recovered rather than used and discarded long before their active life expires. Craft and skill use can bring new values ​​for a sustainable future and a new attitude towards the proper use and abuse of materials in the years to come.

Traditional and modern conditions exist to showcase craft heritage across India. The bazaar is closest to the manufacturer, while new forms of exhibitions and fairs promoted by the government and NGOs represent new formats of modern action. Craft heritage continues to evolve in modern times, and items also find new and modern expression, while old and traditional are still valued for the sophistication they represent. That crafts understand and respond to the variety demanded by their customers can be seen in the abundance of jewelry, clothing, footwear and handmade accessories used in our everyday costume. Kolhapuri, leather shoes, is one such product. The paintings of Worley and Madhubani are two notable examples of everyday art that is part of the living culture of the earth.

In the changing context of a global market economy and ideology, traditional crafts offer sustainable practices that need to be reconsidered and implemented. The development of crafts requires a paradigm shift from the advancement of the corrector, the traditional master, to the quality of craftsmanship, the correction, for he who admires this quality will become a master for eternity.


Architectural styles of Santa Cruz

The California architectural styles of Santa Cruz have become historic icons that the area proudly preserves with great care. There were many eras that left an inseparable mark in buildings, homes and buildings around the city. The bit of fragrance of all eras remains as an indisputable element of the city’s long and varied history.

Santa Cruz, California, was created largely for the sake of the Franciscan Mission and the Spanish Garrison. The mission was built in 1791, and the garrison was erected in 1793. The Franciscan mission has been relocated to the Mission Hill area, where it is still located due to flooding problems besieged by the San Lorenzo River. The founders of the mission built it in the Baroque style, as they used to. It was built with a plane as a central hearth that forms almost a triplex around the square. The style portends those observed in Mexico and Spain. The mission consists mainly of flexible construction with deep walls in the interior. This simplified design was adopted through the use of Indian workers who did not have extensive knowledge of construction. Decorative bell towers and deep piers surround the building to this day.

Some of the earliest structures erected throughout Santa Cruz were built at home in a decorative, rectangular shape. Wooden boards were used to tie these main houses of the district. They have been very popular in the pioneer era since the 1850s. On Silvar Street there is still a house of this period of time, which is an example of an architectural era.

From 1850 to 1890, houses and office buildings underwent many transitions, and Santa Cruz’s architectural styles evolved, marking different periods of style, such as the Greek renaissance, the Gothic renaissance, the Italian regiment, Eastlake, the Romanesque, Queen Anne, the colonial renaissance, and shingles. The Greek Renaissance house reflected all American taste in construction. Although the design had large pillars similar to Greek stacking, and large porches this style could be seen throughout the country in the era. During the Gothic Renaissance, churches and buildings with very sharp edges and interesting details similar to Gothic buildings in Europe were presented. The Italian period boasted large buildings with large windows and covered porches in front. This style testified to the Renaissance in Italy. Both in the styles of Stick houses and in Eastlake on the street there were large windows and porches or verandas.

Romanesque structures were quite popular for business. The miniature columns located along the rock fronts are the strong characteristics of these buildings. Queen Anne is a very beautiful Victorian structure. Houses in this style were exhibited from the towers on the side of the houses with decorative chimneys and an overall refined look. The colonial revival yielded buildings and houses that had much in common with American houses of the Revolution. American pride was revived when they pushed west, gaining more and more territory, and a tendency to imitate the past American style developed. The style of shingles in many ways resembles its name: houses with low ringworm to build the look of the house, not the siding. These houses were still very large in appearance but understated in the style of appearance, and all testify to the architectural styles of Santa Cruz.

In order for a house or building to be of historic significance in the Santa Cruz area, it must typically be at least fifty years old. This meets the requirements of the National Registry, despite the fact that the California State Register does not explicitly state. However, there are exceptions, and when historical figures, major historical events, religious buildings or cemeteries are born, sometimes a building can be considered historic that has not yet reached the age of fifty.


The symbolism of the statues

Statues and sculptures have existed for a long time and perform many different roles. Some people portray them as a way of commemoration, while others show sculptures as a way of worship. Some people find comfort and healing in their form. Whatever the reason, statues have and continue to play a big role in the lives of people around the world.

Symbolism Sculptures have a symbolic meaning. For example, the Statue of Liberty represents / acts as a symbol of freedom and independence for Americans. For others, pig statues and pig figurines (especially gold ones) symbolize the pursuit of wealth and the pursuit of economic benefits and well-being. These representations can and do have many different symbolic meanings.

Worship We read in the Bible and other historical documents that replicas of people and symbols were and are used as a form of worship. All over the world there are many religions that use statues in their religious cults. For example, Buddhists use the Buddha to help them remember that everything comes from the Buddha, and by worshiping the Buddha, they can achieve and get the things they really want. Religious statues are becoming more and more common.

Memory Often sculptures are placed on monuments and tombstones in memory of a person who has passed away. One of the most common statues used for remembrance (and often for worship) is the statue of Jesus Christ. Christians seek to display statues of Jesus Christ in temples and in their homes. It serves as a constant reminder of what Jesus Christ did for them and of the love He has for them.

Healing statues are often given to people who are ill or have serious illnesses. Statues can bring peace and comfort as well as healing to those who are ill. Religious statues are often given to those who are ill. Many people believe and gain strength and healing from statues (both religious and non-religious statues).

Statues are a great asset that can be added to any home or building. Some of the most popular statues displayed in homes and public buildings are: Buddha, Virgin Mary, Christ, Batleyka and Willow. It doesn’t matter where you go. Statues are everywhere and part of everyday life.


Llerena – Hidden in Extremadura

After its conquest by Christian troops of Fernando III, around 1240, the Moorish city of Elerina was renamed the city of Lerena. The city soon became the headquarters of the Order of St. Jacob the Sword, often referred to as the Order of Santiago. The High Court and the Treasury of the Order of Santiago moved to Lleren, and in 1493 the last Grand Master of the Order of Santiago, Alfonso de Cardenas, died and was placed in the Iral Parish de Santiago. The Order was originally accused of relocating territory ravaged by war with Muslims, and in the late 15th century their efforts resulted in a population of 3,300 and a thriving agrarian community compared to just over 3,000 today.

Meanwhile, in 1478, Lleren also became the main center of Santo Ofifio, or the Inquisition. One of the famous sons of the Inquisition, Inquisitor Pedro Alvarez de Paredes, became famous for his ability to demand confessions and falsify evidence, and for the fact that the accused proclaimed false decisions of the Tribunal: “You will be released if you confess.” He was transferred to Evora in 1541 to hone his talents on Portuguese heretics. The Inquisition maintained a presence in Lleren until the city was occupied by Napoleon’s troops in the early 19th century.

Not surprisingly, Llerena is a deeply religious city with four large churches and one monastery serving a reduced population. Most of the impetus for the construction of these buildings came from the knights. Such influence of the Mujahideen imagined that cult buildings as well as other monuments such as the courtyard of the High Inquisition, the palace of the bishop, Casas Mastrales, the house of the great masters of the Order of Santiago and the city of Hall and Palacio de Luis Zapata, overlooking the magnificent space Master of the Plaza, it all combines elements of Mudejar with the newly arrived Gothic fashion of Extremadura. The result was an unusual combination of wooden roofs with exposed masonry, fixed on pointed arches, vaults of fire and stone ashlars with ornate balconies and windows.

Unlike Cáceres in the north of Extremadura, who managed to preserve the Renaissance and Merida in central Extremadura with a Roman heritage, Lleren still looks outward, apart from the proliferation of cars, the town of the Middle Ages, full of gloomy, dark, beautiful caused the grim presence of the Inquisition and intensified now along the narrow, shaded streets and, over a long period of siesta, real estate that is not often the case in the city. It is impossible to say that the residents feel that way. On the contrary, they like strangers. A visit to the tourist information office, located in the Palazzo de Donna Mariana, a beautiful example of architecture typical of the city, shows both the architectural style with a decorated courtyard, columns, porticos, and interior wood paneling, as well as attitude of the people. The charming young lady apologized for not practicing English very often, and then prepared information about the city, the surrounding area and the province, all in perfect English.

To truly feel like a town, you can safely wander the streets. You sometimes go out in small squares with the inevitable church, and sometimes at one of the two surviving gates through the city walls, Puerto de Montemalin in 1577 with a fresco of the Conception of Inmaculada or earlier Moorish, Puerto de Villagarsia with its wide stairs. leading to the main entrance for formal ceremonies, with a smaller arch to one side and a “z” entrance built to deter unwanted visitors. Dark stripes, as soon as the eyes get used to the darkness, provide liquid refreshment and bowls of locally cooked full, sweet, pickled olives.

Relief from the sun can be found in Plaza Mayor. On two sides the colonnade walk, built in the 15th century, provides a deep shadow, immersed in what was the aforementioned Palacio de Luis Zapata, a pair of bars that also serve food, but only when the sun has set after 20.30 pm.

Having studied the city itself, which has no evidence of any history before the Moors, it was time to look for the Romans. A trip from Llerena by sign for the Roman ruins to Fuente del Arco. You will soon leave the city behind and appear straight into agriculture. After 8 kilometers you will reach the junction to Fuente del Arco, ignore it, continue, do not follow the signs for the ruins, you will be on the streets hopelessly confused. Another kilometer is a good junction with the road to your left, which goes another kilometer to the ruins with signposts. This huge site has not yet been excavated. We know that this is a potentially huge venue because the only building that houses the theater will house 1,000 people, and the Romans sought to build their own theaters to serve a third of the population in a single performance. In size, though not in decorativeness, it rivals that of Merida. It is likely that this is the site of a Roman settlement known as Regina, and that within three hundred years between the departing and arriving Moors, the center of the population moved 8 miles on the road to a faster hamlet, which the Moors then called Elerina. There are indications that the low hill on which Lleren sits was once a fortified Iron Age settlement. In any case, the location of Regina does indicate that the Romans felt unrestrained here, as it is located on a fairly flat plain with a high, in Roman times, unprotected ridge behind.

On this ridge, overlooking the Roman site, is another Moorish hill with an interesting fortification on top of the village of Rhine. Unlike Llerena, this tiny village, clogged with a small gap under the castle, has not changed since the time of Mauritius. Contact the tourist office in Lleren for the duration of the castle. In March 2009, it was closed for major repairs. Finally, a few more miles along the road is the abandoned iron mine of Mina de la Hayona. Iron ore was mined from this mine before the arrival of the Romans and they quickly realized its importance. Worked continuously until the 20th century, the mines are now a national monument and open to visitors. Excursions are conducted and organized through the tourist office in Lleren. Tel. 924 870 551.

The rural path to Llerena creates a confused anticipation of the future. Leave a recently completed car called the “Autovia de la Plata” that takes you from Seville to Merida, a few miles to Monesterio, at the junction indicating Palar. Go to Palare and then follow the signs of Lleren. The winding road will take you through the fertile valleys, which were first cultivated during the Roman and Mauritian occupation, and then at the will of the Santiago knights. Plump merino sheep and dark gray Iberian pigs quietly dedicate themselves among the fruit trees. Fields burst with vegetables of all kinds. A rough hunting country divides the valleys. In these areas, game birds explode from roadside vegetation and disappear into the thickets. There are pheasant and grouse and, a culinary delight if available, red partridge. On the hills, crops and domesticated animals in the valleys there is so much play that you think there is a place here, hopefully where food is important and lovingly ready to extract every last piece of fun. And it proves it. The Mirador’s restaurant has a menu filled with local delicacies, juicy lamb, crispy piglets and plump partridge cooked with sage, as well as sweet pastries made at the convent nearby. If your dinner is not to your liking, leave the car in Zafra and take the direct Roman road southeast to Llerena.


Niverna is a house of beautiful landscapes and interesting culture

Thinking of places that are perfect for a boat trip on the canal, you may find it difficult to come up with a destination that is more perfect than the French region of Niverny, which is great for exploring by boat.

Holidays on the canal in France annually attract many tourists from the UK, who are attracted to the country by the promise of quaint villages, interesting culture and of course delicious wine and food.

However, not only these reasons make vacation on boats in France popular, because the picturesque village in the country also tempts many people to relax. And the Niverna region is definitely one of the most beautiful that can be found in France.

In Niverna lives the winding canal Ca Nivernais – a popular choice for people to relax by boat, and the waterway that runs through some of the best places to visit France. The region also has a number of famous grape varieties and a wide variety of communities filled with history, all of which can be explored on the canal here.

A visit to the medieval city of Claemis should be at the top of your list when you travel to Nivernai on a boat trip this year. The city is especially known for its magnificent architecture and also has a number of beautiful churches and other religious buildings that are part of the rich past of the area.

Cultural sculptors will also not be disappointed with a visit to Clemiti, as the art gallery has fairly light art galleries and museums that allow you to have fun while traveling to the city.

The canal, along which you will sail on a water holiday to the region of Nivern in France, was originally built to connect a number of industrial hubs of France and, as such, runs through various places worth visiting.

Just like Clamecy, you can take a vacation by boat to visit the Tannes, Corbini, Vermenton and Coulanges, which have a real French charm and offer their own sights and attractions.

Lovers of traditional French buildings may want to visit the city of Auxerre, which is easily accessible on a boat trip down the canal down the Canal du Nivern. The most famous building in Auxerre is the Gothic cathedral, which definitely follows a photograph of the two and is a fine example of the architecture of the time.

If you, seeing a Gothic church in Auxerre, made you get acquainted with some of the most beautiful buildings in France, then make sure you direct the boat to the canal to the city of Sense.

Sense also has a huge church built in the Gothic style, as well as many other architecturally interesting buildings. Further along the river you will be able to visit the settlements of Chitry-les-Mines and Chatillon-en-Bazois, which are home to some incredibly beautiful French castle, which is definitely a must visit while traveling to this part of France.

Traveling along the canal du Nivern, you may find that you catch a wide range of wildlife and birds. The canal itself is actually known for its biodiversity, and you’ll be able to see bird species including films, beautiful crabs, herons, kites and kites if you enjoy a boat trip in the region.

If you want to include as many visits to French cities on a boat trip, you can stay in the town of Bayeux, which is at the very end of the canal. This community can appeal to those who enjoy outdoor activities, as it is known for the wide variety of water sports it offers to visitors.

Shopping enthusiasts who want to return home with lots of souvenirs to remind themselves of their holiday in France may want to stop their boat on the canal in the towns of Florentine and Vilnius-sur-Yon.

Both of these cities hold markets regularly and can be ideal for those who want to use their holiday as an opportunity to stock up on wine and cheese, which marks the Niverian region.